The men and women at Vanners were kind enough to send me pictures recently of how my bespoke ties were made down in Suffolk. So here they are, with explanatory captions.
The three-piece pattern for the tie is laid out on the woven silk, at exactly 45 degrees, having been made to my specifications in length and width.
The resulting pieces are laid out in bunches, ready to be sewn.
The silk tipping to the tie is then machine-sewn to the front and back blades, forming a one-centimetre edge or ‘mitre’ along the edge. I opted for self-tipping, with the same silk as the body of the tie. (There is much tradition around tipping – some brands, for example, deliberately tip all their ties with black in homage to the black-out curtains that were used for tipping after the Second World War due to a fabric shortage.)
The two blades and the neck are also joined together. And a smaller, hand stitch is used to close the tip of the tie to prevent any pulling at that point. Any excess fabric is also trimmed.
The tie is lightly pressed at the tips and seams.
The lining is then inserted into the tie and the folds carefully placed over the centre line. While this is referred to as a seven-fold tie, there are in fact 10 – here you can see eight of them, with two more tucked underneath.
(Ancillary fact on tie folds: Originally all printed ties were seven-folds as the silk came in lengths one-metre wide, and it had to be folded seven times to get the width of the tie. All woven silk came 28-inches wide, as that was the width of the hand looms, and so they were always made into four-fold ties. This was before the use of linings or ties that were made in three pieces. Thanks to the guys at Peckham Rye for that fact.)
When the folds are in place, the tie is pinned along its length to hold its shape prior to sewing.
The self-loop (a loop to hold the rear blade that is the same material as the tie) is then inserted.
Before a single thread is used to sew the entire length of the tie.
The tie is then gently steamed by hand and all its dimensions and measurements are checked.
The self loop and any labels are sewn on by hand before the final inspection.
Which is done by machine as well as eye, before the tie is packaged ready for delivery.
Nice tie.
Seems to me there has been a resent resurge in ties with paisleys- or is it just me?
Simon can you recommend any shops in London or Paris which has a broad collection of scarves? I am looking for one with paisleys.
Best regards
AFJ
Apologies in advance as this is off topic, but i could not find a general inquires area. I’m in Hong Kong and planning to have a top coat made. I have been thinking about what exactly I wanted; brown wool with some texture possibly herringbone, double breasted, tightly tailored, velvet top collar. etc. when I came across the picture on the right hand side of your blog with the caption “A sophistication of brown, green and blue” it is almost exactly what i had in my mind’s eye, but better. Any way I could get some info on the coat to pass on to the tailor (I’ll probably take a print of the picture)
Thanks in advance, and while I just found your column, I’ll be sure to visit often in the future – great blog.
Hi Michael,
The topcoat shown is from Cesare Attolini I think. But beyond that I can’t tell you any more about its materials or provenance.
I would advise against, however, a DB coat with velvet collar as this was not the style it was intended for. It’s obviously a case of personal taste, but it would be rather a mix of styles.
Simon
Hi Michael,
The topcoat shown is from Cesare Attolini I think. But beyond that I can’t tell you any more about its materials or provenance.
I would advise against, however, a DB coat with velvet collar as this was not the style it was intended for. It’s obviously a case of personal taste, but it would be rather a mix of styles.
Simon
Thanks Simon, appreciate the input. What made me think of the velvet collar was this photo http://www.styleforum.net/attachment.php?attachmentid=13895&d=1223712360
But I agree with you that with the brown it may not look right.
Thanks again
Michael,
You’re right, that does look good. It is my impression that a traditional covert coat was a lightweight topcoat with a fly front and extra rows of stitching to prevent fraying. The photo looks more like an overcoat than a topcoat in length and weight.
But I confess I don’t know how common a DB overcoat with velvet collar is or was.
Hope that helps
Simon